A. Things Can't Be So Bad. Producer – C. Benslow Written-By – Kenny Rogers. B. Tomorrow Never Came. Benslow Written-By – Finn J. Halvorsen.
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Tomorrow Never Came Lyrics. Hey, what you doin'?" Not a lot Shakin' and movin' at my local spot Baby, don't ask me why, don't ask me why Why, why, why, why, why, why, why. Lay, Lady, lay on that side of a paradise In the Tropic of Cancer 'Cause if I had my way, you would always stay And I'd be your tiny dancer, honey. I would say Tomorrow Never Came is a really special record. We asked Sean Lennon to sing on it and when we sent him our track, he got so inspired that he ended up playing all the instruments on it. He recorded it in his studio in upstate New York. It was good talking to him over Face Time during it.
Sara Lee Lucas: drums (tracks 10, 13). "The Love Song". Bang we want it Bang we want it Bang bang bang bang bang You came to see the mobscene I know it isn't your scene It's better than a sex scene and it's So fucking obscene, obscene, yeah. And when we were good you just closed your eyes So when we are bad we'll scar your minds. But I'm not a slave to a god that doesn't exist I'm not a slave to a world that doesn't give a shit. the death of one is a tragedy but the death of millions is just a statistic.
Tomorrow Never Knows, the monumental closing track on The Beatles' 1966 album Revolver, was also the first to be recorded. The title was a Ringoism, and the lyrics were largely adapted by John Lennon from The Psychedelic Experience, a 1964 book co-written by Timothy Leary. Tomorrow Never Knows was a remarkable and innovative recording for a variety of reasons. Firstly there was Ringo Starr's thunderous drum pattern. The tom toms skins on his kit were slackened, and the recording was heavily compressed and echoed to give perhaps the most remarkable drum sound on any Beatles song. half random, half orchestrated playing of the things and recorded that to a track on the actual master tape, so that if we got a good one, that would be the solo. We played it through a few times and changed some of the tapes till we got what we thought was a real good one. I think it is a great solo.
I just wanted things to be the same. Dm. You said to meet me up there tomorrow. But tomorrow never came. C. G. No, no. No, no, no.
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|A||Things Can't Be So Bad
Producer – C. Benslow*Written-By – Kenny Rogers
|B||Tomorrow Never Came
Producer – C. Benslow*Written-By – Finn J. Halvorsen