Lee White, Fred Bergin - Adela, Tango In "D" (7", Pur).
Fred Bergin, Lee White - Song For A Summer Night, My Heart Belong To Daddy (7", Blu). 263. Lee White, Fred Bergin. Lee White, Fred Bergin - Buckle Down Winsocki, Betty Co-Ed (7", Gre).
Tango in the Night is the 14th studio album by British-American rock band Fleetwood Mac. Released in April 1987, it is the fifth and to date last studio album from the band's most successful line-up of Lindsey Buckingham, Stevie Nicks, Christine McVie, John McVie and Mick Fleetwood. Produced by Buckingham with Richard Dashut, Tango in the Night began as one of Buckingham's solo projects, but by 1985 the production had morphed into Fleetwood Mac's next album.
Tango in D, Op. 165, No. 2, is a composition by Isaac Albéniz. It was originally written for piano, as part of the suite España, Op. 165 (1890). Since it has been transcribed for classical guitar by Miguel Llobet, it has become one of the most important works of the classical guitar repertoire. It has been played and recorded by guitarists such as Julian Bream and John Williams and many others. A slow, romantic piece, it is played in the key of D major.
Tin Roof Blues- Fred Bergin (Rinx). An American in Paris- US Air Force Brass in Blue. Fred Buscaglione- Love In Portofino. Irving Berlin- Fred Astaire With Leo Reisman & His Orchestra - Cheek To Cheek. Fred Astaire- Puttin' On The Ritz (Irving Berlin, 1929). Lee Greenwood -. Dixie.
Tango in the Night sounds five years newer than Mirage, but only if you listen carefully. Buckingham, as arranger and main songwriter, uses computerized zithers and toy pianos, as well as synthetic-sounding voices, most effectively in the Beach Boys-style chorale that caps McVie’s Everywhere. He also uses rhythm machines to augment Mick Fleetwood’s steady-state drumming. But like Mirage, this album is a cornucopia of hooks, with arranging touches that are thoroughly cinematic. In a way, Tango in the Night tries to do with emotions what Buckingham and Dashut do with guitar tones, sculpting highs and lows that grab attention without blowing out speakers. Although the album dishes out ear candy, it’s not only about the pleasures of popcraft. Its sonic overlays, dissolves and zooms show how passion swirls behind the neatest of façades - melting in McVie’s songs, babbling in Nicks’s, howling in Buckingham’s.
D is the fourth full-length studio album by the Texan band White Denim, released by Downtown Records on May 24, 2011 to wide critical acclaim. After their third studio album, Fits, White Denim made some changes: they expanded from a power trio to a four-piece, adding a second guitarist Austin Jenkins and came to use more sophisticated studio. First and foremost the gear we were using, it kind of brought out different performances
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