Seeds is the fifth studio album by American art rock band TV on the Radio, released on November 18, 2014 through Harvest Records. It is the band's first album since the 2011 death of their bassist, Gerard Smith. The album's first single, "Happy Idiot", was released on September 2, 2014. Seeds was recorded in Los Angeles, at guitarist Dave Sitek's Federal Prism home studio. Sitek also produced the record
Similarly, that album's philosophical tone continues on Seeds, with the band confronting loss directly on the album's first half and accepting it on the second. TV on the Radio are often at their most compelling when they're grappling with something, and album opener "Quartz" - on which Tunde Adebimpe asks "How hard must we try?" - showcases them in all their frustrated glory
referencing Seeds, 2xLP, Album, Ltd, Pin, 2537855919. Just got this album recently. I never really got into TV On The Radio except for a few songs here and there. This definitely got me to check out the rest of their discography. The vinyl version looks and sounds amazing on the multi-colored marble records. Also the second vinyl exclusive bonus track (Mystery Eyes) is absolutely amazing. Reply Notify me 1 Helpful.
Seeds (2014) - download the album and listen online. On this page you can listen to the album, get information about the album, see the list of songs and much more. Listen online and stay in a good mood. Org Album: Seeds (2014).
TV on the Radio's fifth album sounds as fresh as their debut, proving that the band's incandescent fusion of alt, world, and electronic influences remains as inimitable today as it was in 2004. There are subtle tweaks to the formula, though: producer and founding member David Sitek employs a warmer sonic palette, and the songs aren't as frenetic. With its lockstep drums and whirring guitars, the single "Happy Idiot" nods to the saccharine precision of The Cars, while the horn section on "Could You" lends vibrancy to the song's motorik pulse.
In terms of production values, TV on the Radio are a long way from their clangorous early recordings. The group also broke from its label Interscope, which pushed Mountain in front of the largest possible audience (this is its first album on legendary '70s prog-rock haven Harvest).