Who Do You Love by ARABROT, released 07 September 2018 1. Maldoror's Love 2. The Dome 3. Warning 4. Pygmalion 5. Serpents 6. Sinnerman 7. Look Daggers 8. A Sacrifice 9. Sons and Daughters 10. Uniform of a Killer WHO DO YOU LOVE, the new album from Årabrot. Out now via Pelagic Records! // Årabrot are set to return on 7th September with their most astounding piece of True Norwegian Art Rock to date; Who Do You Love on new home Pelagic Records.

Album: Who Do You Love. Quality: 320Kbps, Lossless. Rock, Album, WEB. Related Posts. Arabrot – You Bunch Of Idiots (2015).

We’re pleased to bring you the premiere of Årabrot’s new album Who Do You Love (listen below), which is scheduled to be officially released on September 7th through Pelagic Records. You can purchase the album here. The Norwegian Grammy award winning band carry all the hallmarks of a sonic spectrum that has always been a wide and wild field of purposeful mismatches, a world of friction between the noisy, the disharmony, and the tension, with rivaling moments of harmonic relief

Album: Who Do You Love. Previously on NewAlbumReleases. net: July 26, 2015 - Årabrot – You Bunch Of Idiots (2015). Megadeth – Warheads On Foreheads (2019)

Tracks: Maldoror's Love Who Do You Love, 2018. The Dome Who Do You Love, 2018. Warning Who Do You Love, 2018. Pygmalion Who Do You Love, 2018. Serpents Who Do You Love, 2018. Sinnerman Who Do You Love, 2018. Look Daggers Who Do You Love, 2018. A Sacrifice Who Do You Love, 2018. Sons and Daughters Who Do You Love, 2018. Uniform of a Killer Who Do You Love, 2018.

rabrot’s new record Who Do You Love must make sense of the aftermath, what Nernes has referred to as the "silence" after The Gospel’s "explosion". Shortly after The Gospel’s release he undertook a 31-date tour of England, buoyed by a newfound sense of optimism in the wake of his recovery, but one that would eventually give way to fatigue and neurosis. Their influence is felt not only in the album’s rushes of power – the petrifying plunges of noise that litter ‘Look Daggers’ for example – but also in its deftness. They lend the flicks of metallophone that weave ethereally around ‘The Dome’, the sweet sweep of strings that gives ‘Maldoror’s Love’ such opulence, and the stark but effective flourish of piano on ‘A Sacrifice’. When allowed freedom to expand they have the power to dovetail into something quite remarkable.